Goodwin has brilliantly woven scores of contemporary accounts…into a fluid narrative…. This is the most richly detailed account of the Civil War presidency to appear in many years. Many readers and critics point out that, at pages long, the book is quite detailed and is sometimes overwhelming and hard to read, yet it is very thorough and well researched. Goodwin is a political commentator and Pulitzer-prize winning author who has written many highly acclaimed books about U. Goodwin earned a PhD in government from Harvard University in and worked as a White House staff member during the Johnson administration.
She later taught government, including a course on the American presidency, at Harvard for 10 years. Goodwin is also a member of the Abraham Lincoln Bicentennial Commission advisory board. Lincoln: A Biography by Ronald C. White Jr. Published in , this New York Times best-seller discusses the personal, political and moral evolution of Abraham Lincoln.
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White argues that Lincoln is a man of intellectual curiosity who is comfortable with ambiguity and is not afraid to think outside the box. History writer David W. Blight reviewed the book for the Washington Post and said it was a well-researched book and one of the best new books on the former president:. Louis Dispatch. Published in , the book is a unique firsthand account of the life of Abraham Lincoln written by a Union general who knew Lincoln well. An excellent read…Interestingly narrated as an admirer of his life from a first hand experience.
John Henry Ketcham, who died in , was a U. White both reviewed the book and recommended it wholeheartedly. Beautifully written, it is clear, concise, and correct. This is the best, very brief, biography of our sixteenth president ever written. McPherson touches more Lincoln bases than any reader might reasonably expect, winning a well-deserved accolade that less is truly more. He was president of the American Historical Association in and is a member of the editorial board of Encyclopedia Britannica.
In doing so, Wills argues that Lincoln saw the Civil War as a battle for equal rights for African-Americans and states that his famous speech eventually paved the way for the 14th amendment, which granted citizenship to everyone born or naturalized in the U. William McFeely, in his review of the book in The New York Times, was struck by its attention to the details of the speech:. Wills is deadly serious about words. Perhaps the most striking element of this book is its intricate analysis of the rhetorical structure of the address.
It is the greatest American speech, and Lincoln was our greatest speechmaker; Wills succeeds in confirming our judgment of that. Without intending to do so, however, he also confirms our judgment that Lincoln was our greatest statesman. David S. Reynolds reviewed the book for The New York Times and praised it for its fresh, new perspective:.
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Foner tackles what would seem to be an obvious topic, Lincoln and slavery, and manages to cast new light on it…. Fellow Lincoln biographer, James M. David M.
Another fellow Lincoln author, Fred Kaplan, wrote a negative review of the book for the Washington Post and argued that Foner merely created a thesis to fit his narrative:. The Fiery Trial maintains this thesis despite the facts that it narrates. Eric Foner is a history professor at Columbia University. Foner was elected president of the American Historical Association in The books, which originally consisted of a two volume book titled Abraham Lincoln: The Prairie Years and a four volume book titled Abraham Lincoln: The War Years, were later condensed into one volume.
As Sandburg explains in the preface, he knew Civil War veterans as a young child and often listened to the stories of men who knew Lincoln personally. After writing the book, Sandburg discovered Lincoln had grown on him so much that he decided to write another book about him which then led to even more books. The books were well received by critics and the public alike when they were published and became instant classics on the subject. In a celebrated echo in the course of his film Young Mr.
The boundary between intimacy and the public world is then forever erased. He is framed by a series of doorjambs capturing him poised on a symbolic threshold. Intent on capturing the exclusive birth of the hero, Ford never once focuses on the crowd. And the fact that is not shown already inscribes off screen a different public, no longer strictly from Springfield, Illinois, but from all over America. And precisely because Abraham Lincoln is this time the main protagonist of the filmic narrative, he can only be captured as being loosely connected to the historical context.
We will see that he can only be inscribed as a Fordian character at the expense of a number of distortions and reciprocal assaults by him on the course of fiction and by fiction on his historical truth. Griffith and John Cromwell alike, most play with. At the end of Abe Lincoln in Illinois, before leaving Springfield, Lincoln delivers his last speech in a melancholy, almost tragic tone. The scene actually foreshadows his universally known Gettysburg Address. Though somewhat static, the camera alternates between medium close-ups of Lincoln speaking gravely, close-ups of individual electors listening intently and medium long shots of sections of the crowd looking up to him.
Standing on the train platform as it slowly departs for Washington D. The scene immortalizes Lincoln as a political and cinematic giant. As a serviceable figure, Lincoln was indeed to be constantly recycled in times of crisis to extol national unity so that the actual circumstances under which he did act as the Great Conciliator were eventually obscured and forgotten. Moviegoers of the Depression era used him for instance as an inspiration to surmount the economic hardships paralyzing the American economy at the time and above all as an icon of self-reliance, talent and compassion.
Smith Goes to Washington makes explicit the connection between finding strength and inspiration in times of crisis and the Lincoln figure when the young idealistic senator played by James Stewart finds refuge in the Lincoln Memorial. My Captain!
Four speeches structure the film and design a hero slowly turning into a master of politics, from the backwoods of New Salem, Illinois, when Lincoln first runs for the state legislature, to Springfield on the night of his election to the Presidency. The Century magazine published their biography of Lincoln over two and a half years at the end of the s and, in , with the serial ended, as a book in ten volumes Nicolay and Hay. Not only was the Hay and Nicolay study of monumental size, it encapsulated a particular view of Lincoln as an ideal hero and semi-mythical character.
The fact that these first texts were actually published serially in a popular medium naturally helped disseminate them, but it also added to the public fascination for such a homegrown legend. His two-volume biography, Abraham Lincoln. And it is precisely because he was both fascinated by and eager to be instrumental in the making of an American icon that Griffith wanted Sandburg to write the screenplay of his biopic.
Of natural, personal, human legends the one of Lincoln will probably last as long as any known—and the end of the world is a long time. For many years, probably, many centuries, there are to be biographies about Lincoln—and dramas. Sherwood is the first full-statured drama that has come around the legend.
Also it is the first shaped by a playwright who went to the main studies derived from basic source materials—and delved extensively himself in the actual sources. Paradoxically, while linking him with central historical moments such as the coming into effect of Lincoln's Provisional Proclamation of Emancipation in January or the dedication of the cemetery at Gettysburg in November , it also erases any clear connection to specific historical events in most films. The body of Lincoln Americana historian David Turley calls Lincolniana almost seems to function by itself, virtually independently of any clearly-marked period in the history of the Nation.keoperphapent.tk
It can thus be reinvested more easily in any filmic narrative. From D. In all three films, the solemn bars of the Battle Hymn of the Republic both put an end to the filmic diegesis and call for the infinite space of myth to open up and constantly recycle and refine this grand narrative.
World War II propaganda movies would however modify the relation of history to filmic representation.
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